THE MAN IN THE PAINTING


                                    

                                                                         

  

    THE MAN IN THE PAINTING

 

                                                                            by

 

                                                                Andrew Hawcroft

 

                                                                         Outline

 

 

When twenty-eight year-old Harriet Painter, and her eight year-old son George, settle in a quiet English country cottage, she hopes they are at the beginning of a fresh chapter in their lives, finally able to put the fear and pain of recent years behind them.

 

A lawyer returning to work at the esteemed legal company of Carter and Black, she has at last seen the courts impose a restraining order on her former husband, Scott, after years of increasing incidents of physical and mental abuse.

 

Succumbing to a long-held desire, she has finally bought the old stone cottage she discovered on her way to work over a year ago.  It is a warm, friendly place of great character, deep in the English countryside. It is a home to enjoy new beginnings.

 

One day, while cleaning her new pantry, Harriet falls through the rotten floorboards to find herself in an ancient cellar, long hidden from human eyes. The dark and dust-caked room contains only one item, a leather-shrouded, five-foot painting depicting a medieval knight in armour, standing before a dark forest.  There is no title and no artist’s signature.

 

Harriet is strangely taken by the painting and decides to bring it into the house, placing it above the fireplace in her living room.  It almost immediately begins to have a positive effect on the lives of her and her son. 

 

But when Scott, reaching the end of his own psychological tether, discovers where she lives, despite the restraining order, he embarks on a series of intimidation tactics.

 

Added to this, her company have demanded that she represent a member of the notorious Janey family, importers known for their criminal and violent business dealings, in a case of illegal importing.  A case nobody would take on unless they were given no choice.

 

One night, unable to sleep, fragile from the fears of her life, Harriet enters the living room where the painting hangs above the fireplace.  

 

Quickly though, she realises that the landscape of the painting is empty, and that a huge armoured figure sits before the dying fire…

 

 

 

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